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	<title>Magdalena Manderlova</title>
	<link>https://magdalenamanderlova.com</link>
	<description>Magdalena Manderlova</description>
	<pubDate>Mon, 22 Jul 2024 13:06:38 +0000</pubDate>
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		<title>news</title>
				
		<link>https://magdalenamanderlova.com/news</link>

		<pubDate>Mon, 14 Feb 2022 14:12:26 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

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upcoming&#38;nbsp;

Kozmic sounds,&#38;nbsp;in collaboration with Michal KindernayPaper published in Journal of Sonic Studies
2026

Kozmické louky

LP release at Gruenrekorderfeat. Adela Mede, Lucie Páchová, Michal Kindernay, Peter Cusack, and Klaus Ellerhusen Holm

Pre-order via Bandcamp30.04.2026
Fuglefotdelta
Group project — Ferdinand Schwarz, Amalie Risom Nyrup, Sarah Sekles, Jiska Huizing and myself (project leader) — investigating Nordre Øyeren nature reserve
In partnership with Nordre Øyeren fuglestasjon and Besøksenter våtmark Nordre Øyeren. 
More information TBA.
2026-27
Peaces So Far
Participating in a project investigating the Oder River by Claudia van Hasselt and Nicolas WieseLive dates:
24. &#38;amp; 25.04.2026 Zwingli-Kirche, Berlin (premiere)
20.06.2026&#38;nbsp;Steinkohlebergwerk Wujek, Katowice
Kozmic sounds—yearly symposium with Martyna Poznanska, Krystyna Szmek, Peter Cusack, Udo Noll, and more.Kozmické louky, Czech Republic24-31.05.2026

Concert at Breton Matiné
House of Foundation, Moss
28.06.2026

Commissioned solo exhibtion&#38;nbsp;
Synagoga na Palmovce, Praha
November 2026

Leangenbukta: To be a bay
feat. Heiða Karine Jóhannesdóttir Mobeck, Klaus Ellerhusen Holm, Tor Bollingmo, Berit Rusten, Trygve Ohren and Elena BisernaCassette release at Breton Cassette and symposium at Leangenbukta in partnership with nyMusikk TrondheimJune 2027&#38;nbsp;


***
This page is updated every few months. You can join my mailing list here.


recentLytteverksted In collaboration with Ferdinand Schwarz
DKS-tour
March 2026
Concert at F/eks
MIR, Oslo24.02.2026
In 2025, I joined the boards of nyMusikks komponistgruppe and Atelier Nord as deputy member, and CENSE—Central European Network for Sonic Ecologies as head of communication.
Kozmic sounds—yearly symposium feat.&#38;nbsp; Ian Mikyska, Kasha Potrohosh, Martina Weber, Claudia van Hasselt &#38;amp; Nicolas Wiese, Peter Cusack, and Udo Noll.Kozmické louky, Czech Republic08-14.09.2025
Kozmic sounds, in collaboration with Michal KindernayPaper published in exhibition catalog&#38;nbsp;/Sound as Vast as the Universe, Wide as Noon/Regional Gallery of Liberec2025
Hudba, jak vesmír rozlehlou, širou jak poledne /Sound as Vast as the Universe, Wide as Noon/Commissioned work for a group exhibition on birdlifeRegional Gallery of Liberec, Czech Republic07.11.2024-02.03.2025
Flood PulseComposed by Magdaléna Manderlová for the Prague Quiet Music Festival 2024. Performed by the Prague Quiet Music Collective and asamisimasa.&#38;nbsp;
Released on&#38;nbsp;Bandcamp, 01.12.2024
Particular.UniversalGroup exhibitionULTIMA festival, Nitja senter for samtidskunst, Lillestrøm24.08-06.10.2024
Listening to place: StaňkoviceWorkshop on listening and field recording at SPATIAL summer lab 2024 Löblhof &#38;amp; Artgrund, Czech Republic07.07.2024Flood pulseCommissioned composition for asamisimasa and Prague Quiet Music CollectiveLavmælt Musikk at Gamle Raadhus Scene, Oslo25.06.2024Workshop on listening at Prague Quiet Music Festival22.06.2024Flood pulseCommissioned composition for asamisimasa and Prague Quiet Music CollectivePremiere at Prague Quiet Music Festival22.06.2024

A Forest of Ears Acousmatic composition Lydbølgefestivalen by Electric Audio Unit, Gamle Munch, Oslo19.06.2024&#38;nbsp;
A yearly symposium dedicated to Kozmické meadows Organising, curating and facilitating in collaboration with Michal Kindernay
incl. World Dawn Chorus day broadcast via Reveil&#38;nbsp;29.04-05.05.2024
DKS-Lab, Oslo Kunstforening
15-19.04.2024
Regeneration&#38;nbsp;Participating in an online exhibition and conferenceAcademy of Fine Arts in Prague, Czech Republic20-22.03.2024
In a Salty Stream—Numa Corrente SalgadaPremiere of the Portuguese narrated sonic essay
Particular Universal festival, Castro Marim, Portugal08-09.03.2024
StruhaReleased on Prah, compillation by Warm Winters Ltd., tape and digitalMarch 2024
two attempts at gathering windCommissioned contribution for a row of trees journal Sonic Art Research Unit, Oxford Brookes UniversityJanuary 2024

Presentation of Kozmic sounds at&#38;nbsp;Beyond Listening: Agency, Art and the Environment
International Symposium on Sonic Ecologies
Moholy-Nagy University of Art and Design BudapestNovember 2023A Forest of EarsComposition in Ambisonics, commissioned by Electric Audio UnitAcousmatic concerts at Kulturnatt Trondheim (15.09.2023), Tønsberg bibliotek (10.06.2023), Vitensenteret i Trondheim (30.05.2023 (urf))
A yearly symposium dedicated to Kozmické meadowsOrganising, curating and facilitating in collaboration with Michal Kindernay19.08.2023
Sanatorium of Sound festival, Sokolowsko, Poland

11-13.08.2023

Straw balesSolo exhibition at PARABOL, Kunsthall 3.14, Bergen
16.06-27.08.2023 Leangenbukta: A live score feat. Heida Mobeck and Klaus Holm (concert)
&#38;amp;&#38;nbsp;Leangenbukta: To be a Bay (soundwalk)Commissioned participatory work for this sonic planet 13. &#38;amp; 20.06.2023
Røst Artist in Residence
01-12.06.2023
In a Salty Stream 
OnlyConnect Trondheim at Kjøpmansgata Ung Kunst&#38;nbsp;(urf)
13-16.04.2023

Little JohnGroup exhibition, Pragovka gallery, Praha, Czech Republic14.04-29.06.2023
Místa chvění /Sites of Reverberation/Group exhibition, 8smička, Humpolec, Czech Republic04.03-21.05.23





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	<item>
		<title>about</title>
				
		<link>https://magdalenamanderlova.com/about</link>

		<pubDate>Sat, 16 Jan 2016 18:17:55 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

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		<description>
&#60;img width="2870" height="1808" width_o="2870" height_o="1808" data-src="https://freight.cargo.site/t/original/i/4efbbbe4896de372fef8158d329853de21789c4576dbcd79a506ffb10c591cdb/Fieldwork_credit_Nuno_Martins.png" data-mid="201530623" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/4efbbbe4896de372fef8158d329853de21789c4576dbcd79a506ffb10c591cdb/Fieldwork_credit_Nuno_Martins.png" /&#62;
biography

Magdaléna Manderlová is a sound artist based in Oslo. 

She works with the relational and sensory practices of listening and field recording, grounded in a deep interest in ecology, the natural world and its processes. Her work, often site-specific and fieldwork-based, takes the form of interdisciplinary projects, sound installations, compositions, field recordings, concerts, participatory works and writings. &#38;nbsp;
The recent projects, exhibitions and commissions include Atelier Nord, nyMusikk, Electric Audio Unit, Trondheim Electronic Arts Center, a row of trees, Only Connect festival, Sanatorium of Sound festival, Bludný kámen, Radio Art Zone, Lydgalleriet, Breton Cassette and Kunsthall 3.14 among others.

In collaboration with Michal Kindernay, she organizes a yearly symposium dedicated to acoustic ecology &#38;amp; ornithology situated at Kozmické Meadows wetland in her home region. She co-organizes Røst Artist in Residence program with Elin Már Øyen Vister.

Magdaléna holds MA degrees from the University of Ostrava, Czech Republic, and Trondheim Academy of Fine Arts, Norway. She has a history as a singer-songwriter in the Czech DIY scene.&#38;nbsp;Details in cv

	
contactmagdalenamanderlova (at) mailbox.org&#38;nbsp; +47 40596357&#38;nbsp;



	
	

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		<title>work</title>
				
		<link>https://magdalenamanderlova.com/work</link>

		<pubDate>Wed, 19 May 2021 11:24:36 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

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selected projectsLeangenbukta
In a Salty Stream—Numa Corrente Salgada 
The Field upon which I Walk is the SongKozmic sounds project &#124;&#38;nbsp;symposiumStraw bales—A všechno je náhle pták a chce odletět
HISS


When Clouds Appear like Rocks and Towers
Round 
Lines of Flickering Light Stretching across Terrain








workshopsmusic
artist books
visual</description>
		
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		<title>workshops</title>
				
		<link>https://magdalenamanderlova.com/workshops</link>

		<pubDate>Mon, 22 Jul 2024 13:06:38 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

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I facilitate workshops on listening and field recording. I investigate listening as a mode of attention, and as a way to relate to a place and approach site-specific work. My interests and research has drawn inspiration from Pauline Oliveros’ Deep Listening practice, as well as the lifework of composers such as Hildegard Westerkamp and Annea Lockwood, indigenous studies and eco-feminism.












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Past events:2024 Listening to place: Staňkovice, participatory listening exercise, soundwalk and lecture-performance at SPATIAL Summer Lab, Löblhof &#38;amp; Artgrund (CZ)2024 Participatory listening exercise and soundwalk at Prague Quiet Music Festival (CZ)2024 On hearing and listening, DKS Test-Lab, Oslo Kunstforening &#38;amp; Manglerud skole (NO)2024 Participatory live score at Kozmic sounds, Kozmické meadows (CZ)2024 Participatory listening exercise at Regeneration: Festival of Environmental and Decolonial perspectives, Academy of Fine Arts in Prague (CZ)2023 Participatory listening exercise at Kozmic sounds, Kozmické meadows (CZ)2023 Leangenbukta: To be a bay, a guided soundwalk as part of This Sonic Planet (NO)2022 Participatory soundwalk in Reserva Natural do Sapal de Castro Marim, as part of Particular.Universal (PT)2020 Sensory excursion to Løkken Verk as part of my exhibiton HISS in TEKS (NO)2020 Guided soundwalks as part of Trondheim Open, Trondheim (NO)
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		<title>Leangenbukta</title>
				
		<link>https://magdalenamanderlova.com/Leangenbukta</link>

		<pubDate>Sun, 26 Mar 2023 12:57:47 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

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					Leangenbukta13. and 20.06.2023

					
Leangenbukta is a series of two site-specific events lifting the significance of the local biodiversity at Leangenbukta, Rotvoll Kunstnerkollektiv's backyard, where almost 200 species of birds breed and live. What does it mean to be together in the world, how to listen to each other, and how to make kin?&#38;nbsp;

&#38;nbsp; &#38;nbsp; Thinking, feeling, and working through environmental crises, these events aim to
create space for regeneration and listening - because listening also means attending and
attending is a practice. Then, there is music, improvisation, and that’s where we meet: between
the ears and ourselves.
Leangenbukta is my contribution to this sonic planet, a project organized at Rotvoll Kunstnerkollektivet in Trondheim and is&#38;nbsp;curated by Kate Butcher.&#38;nbsp;

					o

Leangenbukta: A live scorefeat. Heiða Karine Jóhannesdóttir
Mobeck (tuba) and Klaus Ellerhusen Holm (saxophone/clarinet). The event included common brunch and reading from Going out: Walking, Listening, Soundmaking by Elena Biserna.
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oLeangenbukta: To be a bayA guided soundwalk by Magdaléna Manderlová including collective reading from&#38;nbsp;Braiding Sweetgrass by Robin Wall Kimmerer.


				
			
		
	


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CreditsImages: Daniel Hansen, Susann Jamtøy
Supported by this sonic planet, Rotvoll Kunstnerkollektiv and Trondheim kommune</description>
		
	</item>
		
		
	<item>
		<title>Kozmické meadows</title>
				
		<link>https://magdalenamanderlova.com/Kozmicke-meadows</link>

		<pubDate>Sun, 26 Mar 2023 12:15:38 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

		<guid isPermaLink="true">https://magdalenamanderlova.com/Kozmicke-meadows</guid>

		<description>



Kozmické louky—Kozmické meadows&#38;nbsp;


In collaboration with Michal Kindernay, we organize a yearly symposium&#38;nbsp;dedicated to the river Opavice and the wetland Kozmické meadows*
o
2024 Edition Kozmické meadows bird reserve and Matiční dům in Opava
The festival unfolded in the form of a long soundwalk guided by Šárka Zahálková at Kozmické meadows. The different activities took place at different locations—each&#38;nbsp;picked by each contributor in relation to their work. The evening program in Opava included a communal dinner by Vila Vilekula collective.
The 2024 edition was preceded by a one-week symposium for the invited artists.&#38;nbsp;We participated in the World Dawn Chorus Day / REVEIL broadcast.
List of participating artists and scientists: Peter Cusack, Adrian Czerník, Marie Hánová, Michal Kindernay, Magdaléna Manderlová, Lucie Páchová, Martin Režný, Tomáš Šenkyřík and Šárka Zahálková.


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&#60;img width="5605" height="3736" width_o="5605" height_o="3736" data-src="https://freight.cargo.site/t/original/i/318e8007e91b6ef864896e5d382a7f98de33261baa11ee91ad34b05612e50c86/240504_1902_DSCF7652.jpg" data-mid="215568866" border="0"  src="https://freight.cargo.site/w/1000/i/318e8007e91b6ef864896e5d382a7f98de33261baa11ee91ad34b05612e50c86/240504_1902_DSCF7652.jpg" /&#62;
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o
2023 EditionKozmické meadows bird reserve and Vila Vilekula, an artist-run space in Háj ve SlezskuThe festival unfolded in the form of a long walk, where different activities, listening exercises, talks and concerts took place at different locations—picked by each contributor in relation to their work. It included a communal brunch and dinner by Vila Vilekula collective.
The 2023 edition was preceded by a 4-day symposium for the invited artists in May 2023. We participated in the World Dawn Chorus Day / REVEIL broadcast.
List of participating artists and scientists: Peter Cusack, Yvetta Ellerová, František Hruška, Michal Kindernay, Magdaléna Manderlová, Emil Morav, Carina Pesch, Martin Režný, Anna
Vohrálíková, Martina Weber.



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&#38;nbsp;
o2022 EditionPustá Polom, Albertovec, Kozmické meadows 
The festival included a common bus ride which took us to three different locations in the region—picked by each contributor in relation to their work.List of participating artists and scientists: Vít Kašpar, Ivo Kupka,&#38;nbsp; Martin Šenkypl, Ondřej Škrabal, Yvetta Ellerová, František Hruška and Martin Režný.


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Credits
We kindly thank for support to Bludný kámen, Ministry of Culture of the Czech Republic, Magistrát města Opavy, Norwegian Visual Artists Fund, The Composers Remuneration Fund, Trondheim kommune, Office for Contemporary Art Norway, Radio Art Zone, Geräuschkulisse, Deutsch-Tschechischer Zukunftsfonds, Vila Vilekula, the Goethe Institute and the EU received in 2021-24.


Images by Jiří Volejník, Aleš HonusInitially part of the project Po proudu zvuku—In the Stream of Sound&#38;nbsp;commissioned by Bludný kámen.
*Kozmické louky—Kozmické meadows are a system of floodplain meadows and a bird reserve located in the Opava region of the Czech Republic. The area was nearly destroyed by gravel mining and agriculture in the past, and has been in the process of landscape restoration since 2006 thanks to the local community's long-term commitment and dedicated work. Nowadays, it accommodates hundreds of species of birds, plants, amphibians, herds of Exmoor pony and Highland cattle, and an ornithological observation station.</description>
		
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	<item>
		<title>The Field upon which I Walk is the Song</title>
				
		<link>https://magdalenamanderlova.com/The-Field-upon-which-I-Walk-is-the-Song</link>

		<pubDate>Mon, 13 Mar 2023 08:16:31 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

		<guid isPermaLink="true">https://magdalenamanderlova.com/The-Field-upon-which-I-Walk-is-the-Song</guid>

		<description>

&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/bc5bb7c80714dd0c1a83c0ff0b6682eabf8db303b7a870601dcfd63afde168e1/1a8516c7972ca880ced2c58bd5407066.jpeg" data-mid="171876060" border="0"  src="https://freight.cargo.site/w/1000/i/bc5bb7c80714dd0c1a83c0ff0b6682eabf8db303b7a870601dcfd63afde168e1/1a8516c7972ca880ced2c58bd5407066.jpeg" /&#62;


The Field upon which I Walk is the Song
2023Commissioned artwork for the group exhibition Místa chvění / Sites of Reverberation curated by Jakub Frank &#38;amp; Anežka Chalupová8smička, Humpolec, Czech Republic,&#38;nbsp;04.03-21.05.2023

A series of four stereo compositions were implemented into the exhibition’s architecture. The sound emanated from underneath the listener’s body at four locations using contact speakers and shakers. Inspired by John Berger’s essay The Field, the pieces unfold through musical improvisation (tuba) and gentle instructions (spoken word), guiding listeners to explore and tune in their sonic memory and imagination. The title The Field upon which I Walk is the Song&#38;nbsp;comes from the same essay.


Magdaléna Manderlová · Ta první píseň
Press
Interview and feature with the curators Jakub Frank &#38;amp; Anežka Chalupová, Art Café ČRo Vltava&#38;nbsp;

Credits
Musical improvisation: Heiða Karine Jóhannesdóttir Mobeck (tuba)
Images: Eva Bystrianská, 8smička
My participation was supported by OCA Office for Contemporary Art Norway
</description>
		
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	<item>
		<title>In a Salty Stream</title>
				
		<link>https://magdalenamanderlova.com/In-a-Salty-Stream</link>

		<pubDate>Mon, 23 Jan 2023 13:50:44 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

		<guid isPermaLink="true">https://magdalenamanderlova.com/In-a-Salty-Stream</guid>

		<description>
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/256ccb0545be60be8b9346a6b98d5b0ff4d3b24513561607d996807e01d336e5/IMG_0281.jpg" data-mid="165675115" border="0"  src="https://freight.cargo.site/w/1000/i/256ccb0545be60be8b9346a6b98d5b0ff4d3b24513561607d996807e01d336e5/IMG_0281.jpg" /&#62;
In a Salty Stream
20:00 min, quadrophonic sound
Exists bilingually in English and PortugueseCommissioned by nyMusikk, premiere at OnlyConnect Trondheim 2023
The composition is based on&#38;nbsp;Particular Universal Artist in Residence program, as part of which I had the chance to spend time with Reserva Natural do Sapal de Castro Marim e Vila Real de Santo António—a natural salt marsh and bird reserve in Castro Marim, Portugal.





Magdaléna Manderlová · In a Salty Stream (excerpt)


&#60;img width="2878" height="1782" width_o="2878" height_o="1782" data-src="https://freight.cargo.site/t/original/i/cd05b8775cdf2eaa3a523805aa4272f7bd5cf78fb0149b675c5ad662c565c504/Screenshot-2023-05-29-at-14.04.39.png" data-mid="201788367" border="0"  src="https://freight.cargo.site/w/1000/i/cd05b8775cdf2eaa3a523805aa4272f7bd5cf78fb0149b675c5ad662c565c504/Screenshot-2023-05-29-at-14.04.39.png" /&#62;
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As part of the residency, I guided a participative soundwalk in the marshland, including an introduction into listening and soundwalking practices, reading, and discussion over fresh mint tea (locally harvested and prepared by André Portas).

PressReview by 5against4

Credits


Text and field recordings by Magdaléna Manderlová
The manuscript is inspired by the conversations I had with Luis Filipe &#38;amp; Miguel Silveira (marine biologists), Agostinho Gomes (birdwatcher), Rosa Madeira (ecologist/educator), Paulo Monteiro (Reserve vigilance ranger), and Pedro Pires (historian). It includes quotes from Rachel Carson’s The Edge of the Sea (1955) and The Sea Around Us (1951); the title In a Salty Stream comes from the last.
English voice by Ellen Claire MartinEnglish text edit by Katherine Butcher
Portuguese voice by Sús
Translation to Portuguese by Bruno Silva4-channel mix by Magdaléna Manderlová with the help of Gyrid Nordal Kaldestad and Frank EkebergStereo mix by Frank EkebergSupported by Arts Council Norway, nyMusikk and Particular Universal.</description>
		
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	<item>
		<title>po proudu zvuku</title>
				
		<link>https://magdalenamanderlova.com/po-proudu-zvuku</link>

		<pubDate>Fri, 19 Nov 2021 13:08:08 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

		<guid isPermaLink="true">https://magdalenamanderlova.com/po-proudu-zvuku</guid>

		<description>


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Kozmic sounds
Magdaléna Manderlová and Michal Kindernay
Collaborative project commissioned and curated by Bludný kámen2021-ongoing
A long term project investigating and archiving the changing sonic environments of the Opava region, the Czech Republic. Apart from the artistic work, we established an interdisciplinary working group consisting of local experts from the fields of ecology, history, sociology and poetry. We produced two exhibitions for Bludny Kamen’s Galerie Cella, Opava, in 2021-22. 
The first exhibition (20.10-19.12.2021) investigated the Opavice river with which Kindernay &#38;amp; I engaged by walking—from its spring to its confluence, over 100 km in total. Opavice is a piece I composed for this exhibition and is based on spending time and walking along the river. In 2022, we were researching the wetland Kozmické louky—Kozmic meadows* situated in the river Opavice’s ecosystem. The final exhibition (23.08-15.10.2022) took the shape of a multichannel sound installation for 25 prepared speaker membranes. The soundscape wove together a dynamic archive of recordings connected to the river and the reserve.As part of the exhibition, we published a book Po proudu zvuku—Along the stream of sound. It gathers texts by Kindernay &#38;amp; myself, Martin Klimeš, Jiří Siostrzonek and Martin Šenkypl. We founded a platform Zvuky Opavy - an online sound archive open for anyone to contribute to. &#38;nbsp;Kozmic sounds had a 22-hour satellite radio broadcast at Radio Art Zone 22-23.09.2022, as part of the European Capital of Culture Esch2022, Luxembourg.
I presented the project at Beyond Listening: Agency, Art and the Environment,&#38;nbsp;International Symposium on Sonic Ecologies at the Moholy-Nagy University of Art and Design Budapest in November 2023. An extended version of the paper will be published in Journal of Sonic Studies in 2024/25. The project continues as a yearly symposium, view details here.





CreditsPhotographs: Jakub Kožial (both exhibitions); courtesy of the artist (field photographs)
The project was supported by Ministry of Culture of the Czech Republic, Magistrát města Opavy, Norwegian Visual Artists Fund, Trondheim kommune, Office for Contemporary Art Norway, and Radio Art Zone through 2021-22.
* Kozmické louky—Kozmic meadows are a system of floodplain meadows and a bird reserve. The area was formerly intended for gravel mining and experienced difficult times of amelioration, water drainage, aggressive terrain destructions, and extraction of resources which caused disruption of the natural balance, loss of biodiversity, and environmental burden. Kozmic meadows are now, thanks to the long-term commitment and dedicated work and care of the local community and the company Semix, full of life, and accommodate hundreds of species of birds and plants, amphibians, Exmoor ponies, and an ornithological observation station. It is an important resting area for migratory birds.

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		<title>Straw Bales</title>
				
		<link>https://magdalenamanderlova.com/Straw-Bales</link>

		<pubDate>Sun, 10 Oct 2021 07:41:27 +0000</pubDate>

		<dc:creator>Magdalena Manderlova</dc:creator>

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Straw bales—A všechno je náhle pták a chce odletět
2022
Straw bales is a composition weaving together spoken word, pieces of songs and field recordings. It exists in English and Czech languages. I'm unwinding my own sonic memories of a particular bird through writing (common swift/tårnseiler/Apus apus) and drawing connections between the bird's voice, my ancestors, and their life occupation. I'm looking closely at my cultural background and personal history, coming from an industrial region where coal mining has been woven tightly into people's lives.



Straw Bales by Magdaléna Manderlová
A všechno je náhle pták a chce odletět by Magdaléna ManderlováAn early version of Straw bales was published as part of Blue Rinse Papers by Lydgalleriet, 2021.
&#38;nbsp; &#38;nbsp; 
Straw Bales was performed as a performative reading at Trøndelagsutstillingen in
Trøndelag Senter for Samstidskunst, and Radio Hopes and Dreams, Lydgalleriet, both in 2021. &#38;nbsp; &#38;nbsp; 
In the spring of 2022, Straw Bales was released on tape by Breton Cassette, and exhibited and performed as part of a group exhibition Infinitesimal Gradations in Atelier Nord, Oslo (04.03-03.04.2022) curated by Jeremy Welsh.&#38;nbsp;
In 2022-23, a revised version of Straw bales—A všechno je náhle pták a chce odletět&#38;nbsp;was shown as a solo exhibition in the Sound gallery of the Regional Gallery of Vysočina in Jihlava, Czech Republic (16.11.2022—19.02.2023) curated by Miloš Vojtěchovský; and as part of the group exhibition Little John at Pragovka, Praha, CZ (14.04-29.06.2023) curated by Tereza Záchová.
Press

Review by Jason Kahn, Dusted magazineExhibition review by Mona Gjessing, Kunstavisen
Credits
Text, music and field recordings by Magdaléna Manderlová (field recordings were recorded at Kozmické louky, Dolní Benešov, Løkken Verk, and Sulaymaniyah throughout 2019-21). 
The composition includes Sarajevo by Jaromír Nohavica (Warner Music Czech Republic, 1996); and Atlantic Canary recording by Patrik Åberg (recorded at Los Lajas, Tenerife, Canary Islands, 2016). In the text, there are quotes from Černá hvězda essay by Jan Balabán; and The Letters of Virginia Woolf by Virginia Woolf.
The Czech translation was made in collaboration with poet Martin Šenkypl. The title A všechno je náhle pták a chce odletět comes from Eugénio de Andrade's poetry collection Svrchovanost.
Both EN and CZ versions were mixed by Kristoffer Lislegaard, the EN version was mastered by Lasse Marhaug. 
Straw bales was released by Breton Cassette on tape and digital in 2022.
Straw bales was supported by Billedkunstneres Vederlagsfond, Norsk Kulturråd, and Fond for lyd og bilde.
A všechno je náhle pták a chce odletět—exhibition credits
The poster and carpets were designed by&#38;nbsp;Kateřina Havelková &#38;amp; Tereza Boturová.The carpets were handmade produced by Studio Lodyha.
All plants were picked and dried by&#38;nbsp;Věra Manderlová.
Photographs by Erik Mowinckel (cassette and installation view), Frank Holtschlag (concert), Amalie Marie Selvik (performative reading),&#38;nbsp;Regional Gallery of Vysočina and archive of the artist (solo exhibition view).



				
			
		
	


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